Otto

Matteo Ragni

Otto

The Otto coffee table is built around the shapes of right angles, in an astonishing little display of inventive design. Ninety degrees of functional exactitude, in an item of furniture that shows simplicity and precision as it embraces a parallelepiped, in the shape of a sofa.

Standing next to the soft sofa with its metal structure, Otto provides a natural place to reach out and put down a book, glass or plate. Otto is there, close at hand. Stably standing next to the base, the metal frame wraps around upholstered furniture and satisfies needs that people feel without even thinking about them. When you want to reach out and put something down, a smart solution is usually lacking. Now the answer is here.

design: Matteo Ragni

all products \ Side and coffee tables \ Otto

Otto Coffee

The low coffee table: a wider, more spacious surface to be used as a living room table.
And a taller model with a larger tabletop, preserving Otto’s intelligent functionality while offering more space and greater versatility.

Otto Tray

The collection also includes the removable, versatile Otto Tray, made of fine leather. Adding refinement and mobility, it transforms tables into multi-purpose items.

Otto Breakfast

The coffee table transforms, multiplying its personalities: from a piece of furniture to a versatile star of contemporary living.
star of contemporary living.
Otto Breakfast Table, with a diameter of 105 cm and height 62 cm, is available with two different finishes. The matt version has a surface that is soft to the touch, while the concrete finish – applied with a spatula by hand – has a more distinctivetexture.

Otto Square

The coffee table Otto Square rounds off the collection, ensuring that it caters to every possible need and creating space in the part of the house where people spend most time.

Matteo Ragni

Matteo Ragni was born in Milan in 1972. He graduated in Architecture from the Milan Polytechnic. Since 1994 he has been designing and working in the most diverse areas of industry and craftsmanship, with an interest increasingly focused on design aimed at combining function and typological innovation.

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